🤑 You have $200 tuition credit

Apply and Redeem Now!
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE

CREATIVE DIRECTOR

Dates: 2 JUN 2026 - 9 JUL 2026
Duration: 6 WEEKS
TUESDAYS & THURSDAYS
6 PM AEST
GUIDO PECEGO
VML
Guido Pecego
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE ON CREATIVE DIRECTION
DATES:
2 JUN 2026 - 9 JUL 2026
DURATION:
6 WEEKS
TUESDAYS & THURSDAYS
6 PM AEST

Stop executing ideas. Start leading them.

Guilherme 'Guido' Pecego, Creative Director at VML, brings 20+ years of global, award-winning experience to help you think, decide, and operate at Creative Director level.

THIS COURSE IS FOR YOU, IF...

  • YOU’RE A SENIOR CREATIVE READY TO MOVE UP

     

    You’ve got the craft. The ideas. The taste. But when it’s time to steer the ship, to shape the brief, call out what’s weak, defend what’s strong, you feel the stretch. This creative direction course helps you cross that line. You’ll learn how to judge ideas properly, give feedback that lifts the work, and present with the kind of clarity that makes people lean in. It’s about stepping into leadership before someone hands you the title.

  • YOU’RE A NEW CREATIVE DIRECTOR

     

    No one really trains you for this part. Suddenly you’re the one making the calls: balancing ambition with budgets, protecting ideas without burning bridges. Here, you’ll sharpen your standards and your voice. You’ll learn how to align people without diluting the work, and how to stand behind decisions with calm confidence. Less second-guessing. More authority.

  • YOU WANT A BIGGER ROLE IN SHAPING THE WORK

     

    Maybe you’re agency-side. Maybe you’re in-house. Either way, you want more say in where ideas go. This course shows you how to shape the problem before the solution, build platforms that stretch beyond a single execution, and use AI as a creative partner instead of a shortcut. You’ll leave thinking bigger, and being heard more.

Our students work in 1600+ companies worldwide

  • Google logo
  • Apple logo
  • Ubisoft logo
  • Microsoft logo
  • Blizzard logo
  • Uber logo
  • Epic Games logo
  • Amazon logo
  • Spotify logo
  • Meta logo
  • PlayStation Studios logo
  • Nike logo
 
ABOUT THE COURSE / WHAT YOU'LL DO
01
LEARN BY DOING

You’ll write, judge, present, rework. Through workshops and assignments, you’ll test your taste, refine your thinking, and get comfortable making the call. This isn’t about being right, it’s about building judgment.

02
SEE HOW THE PROS DO IT

Through case studies and guest sessions, you’ll unpack what separates good from award-worthy. Not just visually, but strategically. You’ll start seeing ideas the way juries and senior leaders do.

03
THE FINAL PITCH

In the final project, you’ll choose and defend a Big Idea as a team, shape it into a sharp presentation, and deliver a 5-minute pitch on video. It’s the kind of piece that shows future employers, or your current one, that you can think at Creative Director level.

INSTRUCTOR

Guilherme 'Guido'
Pecego

LinkedIn Profile Portfolio
  • Creative Director, VML
  • Led award-winning work across South America, the Middle East, Asia, and Australia
  • Built integrated campaigns across automotive, FMCG, airlines, tourism, tech, and government
  • Won global recognition including Grand Prix and Gold honors
  • Set 3 Guinness World Records with Nissan in Dubai
  • Mentored emerging creatives as an Award School tutor
  • Actively explores AI-driven creative workflows
Instructor Guido Pecego
syllabus

WEEK 1

How Creative Directors Think

00
THU (28/5), 6 PM AEST
Welcome Class

Let’s set expectations and take a look at the journey ahead. Get to know your instructor, his background and professional perspective.

  • Instructor intro
  • Assignments overview
  • Final project teaser
  • Q&A
More Less
01
TUE (2/6), 6 PM AEST
The Role, The POV, The Bar

Understand how Creative Directors are judged in real agencies — where the bar is profitability × recognition, not just “great ideas.” Set your POV early, know what winning work looks like, and get clear on the competitive pitch you’ll be building toward from day one.

  • How CDs are evaluated in real agencies
  • “Create desire” as a benchmark
  • Overview of the final project
  • Case Study: Favourite CDs 
More Less
02
THU (4/6), 6 PM AEST
What Is A Creative Director & What The F Do We Actually Do?

Step into a CD’s shoes and see the world through their lens. Learn how CDs spot strong ideas, make tough calls, guide teams, and turn creative chaos into decisions. Understand what makes taste, judgment, and instinct your most powerful tools.

  • From maker to decision-maker
  • The modern CD: Jack of all trades, master of none
  • How CDs see ideas differently
  • Taste, instinct & judgment
  • Case Studies: What’s in a strong idea?
Assignment #1: “The CD You Want to Be” Manifesto
Write a short statement defining what kind of CD you want to be, what you fight for creatively, and what you won’t compromise on.
More Less

WEEK 2

Creating Creatives

03
TUE (9/6), 6 PM AEST
Shape The Problem Before Shaping The Work + Guest Speaker

Creative direction begins by shaping the problem. Learn how CDs dissect briefs — cut through the noise, spot the real opportunity, and frame the problem before jumping into solutions. Partner with strategy, challenge assumptions, and identify ideas.

  • Interrogating, co-writing & challenging the brief
  • Finding clarity in messy inputs & partnering with strategy
  • Spotting insights with creative potential
  • AI as an insight discovery assistant
  • Good vs. average vs. weak ideas
  • Workshop: Backward briefing 
More Less
04
THU (11/6), 6 PM AEST
Shape The Idea Before Shaping The Execution

Spot what works, sharpen ideas, and know when to push or kill them. You’ll practise judging originality, relevance, and platform fit, and explore how AI can spark bigger, better ideas without losing your creative edge.

  • How CDs evaluate ideas
  • Platforms vs. executions
  • Strengthening the core of an idea
  • Originality vs. relevance
  • When to push, when to kill
  • AI as an idea expansion tool
Assignment #2: Idea vs. Execution
Choose one brief and create 5 to 8 solutions for it – ideas only. Categorise them into platforms vs. executions.
More Less

WEEK 3

Stress Testing

05
TUE (16/6), 6 PM AEST
Feedbacking Isn’t Killing Dreams

Learn how to give feedback that sharpens ideas instead of shutting them down. You’ll practise spotting what’s not working, fixing it without hijacking the concept, and leading creative conversations with clarity and zero ego. Feedback won’t feel like rejection, it’ll feel like momentum.

  • Mentoring vs. directing
  • Feedback frameworks: Finding weak points & guiding with trust
  • AI as iteration partner
  • Get inspired: What’s the Big Idea?
  • Demo: The elevator pitch
  • Workshop: Creative feedback lab 
More Less
06
THU (18/6), 6 PM AEST
Protecting Ideas Through Alignment + Guest Speaker

We’re all in the same team — being a CD means shaping ideas in alignment with client objectives. Learn how to collaborate with Client Services early, negotiating constraints without losing the core concept and confidently defending creative decisions, even when the room gets tough.

  • Aligning with internal stakeholders early
  • AI as a tool to help the “vision”
  • Negotiating constraints
  • Protecting the core idea while adapting to reality
  • Get inspired: Master FBI Negotiator
  • Demo: Prompting a prototype
Assignment #3: The Elevator Pitch
Choose one of your Big Ideas and write an elevator pitch — a one-liner that explains it to a CEO during an elevator ride.
More Less

WEEK 4

Putting Meat on the Bone

07
TUE (23/6), 6 PM AEST
Being Creative In The AI Era

Tech, tools, trends & the Picasso approach — learn how modern tools support creative leadership while retaining taste as an irreplaceable skill. Spot trends early, prototype smarter, and sharpen your instinct so you stay in control of the ideas, not the algorithm.

  • Spotting trends & owning them
  • Using tools without losing judgment: Where AI helps
  • Prototyping as a leadership tool
  • Taste as the irreplaceable skill
  • Demo: Great artists steal
  • Workshop: From Prompter to “Prompteer”
Assignment #4: Prompting
Write and test an AI prompt that visually explores your creative direction.
More Less
08
THU (25/6), 6 PM AEST
Presenting & Defending Creative Work

Presentation is storytelling. To be a CD is to sell ideas with authority. Learn how to structure a persuasive story, present with confidence, handle tough questions without freezing, and defend your creative choices.

  • Structuring persuasive narratives
  • Presenting with confidence
  • Handling pushback & difficult questions
  • Using AI for rehearsals & AI voice feedback
  • Demo: The anatomy of a case study
  • Demo: PR headlines
Assignment #5: Telling The Story
Develop the narrative structure for presenting your strongest Big Idea.
More Less

WEEK 5

We’re in the Idea Business

09
TUE (30/6), 6 PM AEST
The Ideas Business + Guest Speaker

Creative leadership exists inside commercial reality. Understand how ideas survive (or don’t) in the world of budgets, timelines, and KPIs. Learn how money, scope, and business pressure shape what gets made and how to stay creative without ignoring the reality.

  • Business: Scopes, SoWs & KPIs
  • Budgets, timelines, timesheets
  • Being creative inside commercial reality
  • Advertising isn't art
  • Workshop: Where does the money go?
More Less
10
THU (2/7), 6 PM AEST
Production Partnering & Bringing Others On The Ride

Understand production without glamorising it. From budgets to collaborators, on-set choices to post-production decisions, you’ll see how CDs guide projects and make tough calls while protecting the vision.

  • Budgets, profitability, collaborators
  • Pre-production decisions & post-production judgment
  • On-set behaviour
  • Going beyond film
  • When your idea isn’t ‘yours’ anymore – or is it?
  • Case Study: Treatment vs. final output
Assignment #6: Final Project: The Final Pitch
Select the strongest Big Idea. Develop a presentation outlining your chosen concept, including problem & insight; the creative platform; how it comes to life; clear rationale and leadership narrative. Present your campaign.
More Less

WEEK 6

Bringing It All Together

11
TUE (7/7), 6 PM AEST
Jury Duty. Judging Ideas Like a Creative Director

Lead ideas by knowing what great looks like. Evaluate ideas like a jury, defend your decisions, and learn why some campaigns hit while others miss — all while building the confidence to critique with strategy, not just opinion.

  • Evaluating work beyond executional polish
  • The difference between craft & concept
  • Recognising “award bait” vs. real ideas
  • Case Study: Shortlist, Bronze, Silver, Gold or Grand Prix?
  • Workshop: The Award Game 
More Less
12
THU (9/7), 6 PM AEST
The Future as a Creative Director

Reflect on your final work, get actionable feedback, and learn how to translate your skills into real-world projects. Fine-tune your CD voice, build a portfolio that stands out, and tackle the pressure and doubts that come with leading creative teams. End the course ready to pitch, create, and own your next big move.

  • Feedback on final pitches
  • What makes a CD portfolio compelling?
  • Articulating your CD voice
  • Next steps: Staying creative under pressure
  • The Lizard Brain & Impostor Syndrome
  • Demo: Do the brave thing 
More Less

What our students say

Student Rebecca Kouwe
Rebecca Kouwe
HUMAN RESOURCES ANALYTICS
"I really enjoy the format of the course. Lectures with real life examples and an ongoing case study. Also built in 20 minutes at the end of each class for questions is helpful."
Student Hayley Smith
Hayley Smith
BRANDING 101
"Overall I'm impressed with the level of detail and explanation around particular topics and subjects. There's a real depth to each module which for learning allows the information to stay in your brain."
Student Carlos Andres
Carlos Andres
BECOME AN ART DIRECTOR
"The group activities, they allow us to interact and exchange ideas, plus the way it is structured is challenging and mind twisting as we collaborate in different parts of the ideation."
Student Courtney Fulton
Courtney Fulton
WOMEN IN LEADERSHIP
"I enjoyed the structure of the class. I like how we learned about a topic and practiced it in the workshops. It’s helped me to apply what I learned!"
APPLY
First name
This is a required field
Last name
This is a required field
Email
This is a required field
This is a required field
This is required field!
This is required field!
This is required field!