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EDITOR IN BOOK PUBLISHING

Dates: 27 JAN 2027 - 24 MAR 2027
Duration: 9 WEEKS
MONDAYS & WEDNESDAYS
7:30 PM AEDT
NICOLETTE KAPONIS
LAKE PRESS, EX-PENGUIN RANDOM HOUSE
Nicolette Kaponis
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
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LIVE ONLINE COURSE
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LIVE ONLINE COURSE
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ON BECOMING AN EDITOR IN BOOK PUBLISHING
DATES:

27 JAN 2027 - 24 MAR 2027


DURATION:

9 WEEKS
MONDAYS & WEDNESDAYS
7:30 PM AEDT

Behind every great book is an editor who saw what it could become. That editor could be you.

Nicolette Kaponis, Senior Editor at Lake Press with over 20 years at houses including Penguin Random House, shows you how to evaluate, edit and position books professionally.

THIS COURSE IS FOR YOU, IF...

  • YOU ARE AN EMERGING EDITOR

     

    Proofreading and line edits pay the bills, but structural work stays out of reach. This book editor course trains you in developmental and structural editing, Australian style guides and ICIP protocols, then walks you through ABNs, rates and client proposals. You'll leave ready to deliver full editorial assessments and run a freelance editing business that wins professional clients.

  • YOU ARE A SELF-PUBLISHING AUTHOR

     

    Judging your own manuscript objectively is nearly impossible without a publisher's lens. You'll learn to evaluate a manuscript like an acquiring editor, self-edit for pacing, dialogue and structure, and position your book against comparable titles. You'll leave with cover copy, a publicity plan for awards and festivals, and a manuscript prepared for commercial release.

  • YOU ARE A PUBLISHING ASSISTANT

     

    Your view of publishing stops short of the full manuscript-to-publication workflow. This book editor training maps every stage from acquisition to distribution, covering publishing law, copyright, and the Word, Google Docs and AI-assisted tools editorial teams rely on. You'll be ready to step into publishing, literary agency or corporate editorial roles with end-to-end knowledge of how books get made.

Our students work in 1600+ companies worldwide

  • Google logo
  • Apple logo
  • Ubisoft logo
  • Microsoft logo
  • Blizzard logo
  • Uber logo
  • Epic Games logo
  • Amazon logo
  • Spotify logo
  • Meta logo
  • PlayStation Studios logo
  • Nike logo
 
ABOUT THE COURSE / WHAT YOU'LL DO
01
HANDS-ON EDITING PRACTICE

You'll work through six live demos, from evaluating a manuscript to line editing an excerpt, plus workshops on manuscript selection and publicity planning. Four graded assignments put every skill to work on sample manuscripts using Track Changes and editorial style sheets.

02
INSIDE AUSTRALIAN PUBLISHING

Case studies trace how traditional, hybrid and self-publishing models move a book from manuscript to market, with examples from publishers like Black Inc. and Wakefield Press. Guest speakers cover collaborating with copy editors and proofreaders, freelance contracts and networking. You'll also see how the Stella Prize, the Miles Franklin and festivals like Adelaide Writers' Week shape a book's reach.

03
A PORTFOLIO-READY EDITORIAL PLAN

Your final project is a Professional Editorial Plan, built across all four assignments and refined with feedback. It brings together a manuscript evaluation, structural and line edits, a style sheet, a cover brief, a publishing strategy and a freelance proposal with rates. You'll have a complete package to show publishers or pitch to clients.

INSTRUCTOR

NICOLETTE KAPONIS

LINKEDIN PROFILE
  • Serves as Senior Editor at Lake Press, writing and editing books for children
  • Worked at Penguin Random House in Australia and the UK, across Melbourne and London
  • Managed publishing lists for brands including the BBC and Disney
  • Adapted the script for the Peter Rabbit film into a bestselling children's novel
  • Wrote Harry Potter adventures for Wizarding World
  • Created costume press-out doll books for the V&A museum
  • Brings over 20 years of publishing experience across sales, editorial and managing roles
Instructor Nicolette Kaponis
syllabus
00
MON (25/1), 7:30 PM AEDT 
Welcome Class

Meet Nicolette Kaponis, get oriented with the course structure and assignments, and open the conversation about what publishing really is and where editors fit within it.

  • Instructor introduction
  • Course housekeeping
  • Assignment overview
  • Discussion: What is publishing?
 
 
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01
WED (27/1), 7:30 PM AEDT 
Introduction to the Publishing Landscape

Map the Australian and international publishing ecosystem, from funding bodies and sales data to editorial specialities, and see where each role fits in the manuscript-to-publication workflow.

  • Key Australian and international publishers
  • Creative Australia funding
  • Industry data from Nielsen BookScan AU
  • Editing specialities
  • Manuscript-to-publication workflow
  • Case study: Traditional, hybrid and self-publishing from an editor's perspective
 
 
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02
MON (1/2), 7:30 PM AEDT 
The Heart of the Story: Manuscript Evaluation and Editing Fundamentals

Apply core evaluation criteria to judge a manuscript's strengths, weaknesses and publishing potential, while building the editing fundamentals and cultural awareness every Australian editor needs.

  • Structural editing vs copy editing vs proofreading
  • Grammar refresh
  • Local narrative tones and outback tropes
  • ICIP and culturally sensitive editing
  • Demo: Manuscript evaluation overview
  • Workshop: Selecting the most promising sample manuscript
 
 
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03
WED (3/2), 7:30 PM AEDT 
Knowing Your Audience: Marketing Foundations and Analysis

Position a manuscript for the right readership through audience research, comparable titles and discoverability fundamentals, then turn that editorial positioning into persuasive marketing copy.

  • Target readership
  • Comparable-title research
  • Market positioning
  • Metadata and discoverability
  • Marketing copy from editorial positioning
  • Case study: Linking a manuscript to its niche market
 
 
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04
MON (8/2), 7:30 PM AEDT 
Develop Your  Type: Editing for Different Genres and Categories

Recognise how genre, category and reader expectations shape editorial decisions, from bush noir and rural romance to children's and licensed publishing, and find the niche you want to specialise in.

  • Developing an editorial niche
  • Popular Australian fiction genres
  • Genre conventions vs clichés
  • Editing fiction vs non-fiction
  • Children's and licensed publishing
  • Demo: Editing a sample for different genres

Assignment #1: Manuscript Evaluation and Market Positioning
Evaluate a provided manuscript's genre, audience, strengths, weaknesses and comparable titles, then recommend whether and how it should proceed.

 
 
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05
WED (10/2), 7:30 PM AEDT 
Conducting Editorial Assessments

Deliver constructive, actionable editorial feedback that strengthens the manuscript and motivates the author, while balancing Australian tone with the demands of the international market.

  • Editorial assessments and critiques
  • Balancing critique and praise
  • Explaining editorial feedback
  • Australian tone for international markets
  • Query letter red flags
  • Demo: Editorial assessment of a sample manuscript excerpt
 
 
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06
MON (15/2), 7:30 PM AEDT 
Looking at the Big Picture: Structurally Editing a Manuscript

Diagnose structural problems in fiction and non-fiction, from act structure and point of view to plot holes and weak arguments, and give feedback that moves a draft forward.

  • Act structure
  • Point-of-view and tense errors
  • Show don't tell
  • Editing dialogue
  • Plot holes and structural inconsistencies
  • Indigenous representation and multilingual dialogue

Assignment #2: Editorial Assessment and Structural Edit 
Write a 750–1,000 word editorial assessment for the author and structurally edit a 1,500–2,500 word excerpt with constructive, actionable feedback.

 
 
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07
WED (17/2), 7:30 PM AEDT 
Taking in the Details: Line Editing a Manuscript

Refine prose for clarity, pacing and consistency while keeping the author's voice intact, using the Macquarie Dictionary, Australian Style Guide and Australian Editing Handbook as your references.

  • Manuscript style sheets
  • Preserving the author's voice
  • Australian spelling and punctuation
  • Cutting for clarity
  • Pacing and chapter endings
  • Demo: Line editing a manuscript excerpt
 
 
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08
MON (22/2), 7:30 PM AEDT 
Judging a Book by Its Cover: Cover Design and Book Production

Navigate the editor's role in production, collaborating with design, sales and rights teams to turn a book's positioning into a sharp cover brief and compelling cover copy.

  • Editorial handover and production workflow
  • Cover design briefs
  • Cover copy
  • Evaluating covers against market positioning
  • Managing author expectations
  • Demo: Managing production timelines
 
 
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09
WED (24/2), 7:30 PM AEDT 
Editorial Style Sheets and House Style

Build editorial consistency with the 4 Cs, Australian style references and a manuscript style sheet, and see how AI and apps like Grammarly and Hemingway can support the process.

  • The 4 Cs of editing
  • Common grammar and mechanical errors
  • Australian Government Style Manual and Macquarie Dictionary
  • Australian punctuation norms
  • Australian spelling quirks
  • Demo: Using AI and apps to assist editing

Assignment #3: Line and Copy Edit & Editorial Style Sheet 
Line and copy edit a manuscript excerpt in Track Changes or Suggesting mode, then create an editorial style sheet and flag details for fact-checking.

 
 
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10
MON (1/3), 7:30 PM AEDT 
Fact-Checking and Working with Other Editors + Guest Speaker

Verify manuscript content responsibly, from Australian place names to flora and fauna, and learn how to collaborate with copy editors, proofreaders and sensitivity readers.

  • Editorial specialisations
  • Fact-checking techniques
  • Fact-checking Australian references
  • Indigenous protocols
  • Content warnings and sensitivity readers
 
 
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11
WED (3/3), 7:30 PM AEDT 
Editorial Workflows, Tools and Digital Publishing

Manage professional editorial workflows across Word, Google Docs and InDesign proofs, and learn what changes when a manuscript becomes an ebook or audiobook.

  • Track Changes and version control
  • Editorial passes and handoffs
  • Ebook and audiobook considerations
  • Scrivener and Atticus in the workflow
  • Responsible AI-assisted editing
  • Case study: Comparing Word, Google Docs and other editorial tools
 
 
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12
WED (10/3), 7:30 PM AEDT 
By the Law: Publishing Law and Contracts + Guest Speaker

Understand the copyright, permissions, contracts and ethical responsibilities behind editorial work, grounded in Australia's Copyright Act 1968 and local freelance obligations.

  • Copyright and rights management
  • ABNs, GST and super for freelancers
  • Text and image permissions
  • Ethical editing of Indigenous content
  • Rights reversion
 
 
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13
MON (15/3), 7:30 PM AEDT 
Positioning a Book for Publicity and Discoverability

Connect a book's editorial positioning to festivals, awards, media and online discoverability, with examples from Adelaide Writers' Week to the Stella Prize and Miles Franklin.

  • Book tours and writers festivals
  • Award nominations
  • Media and literary agents
  • Author social media platforms
  • Literary and adaptation scouts
  • Workshop: Developing a publicity plan for a book
 
 
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14
WED (17/3), 7:30 PM AEDT 
On Your Own Terms: Going Freelance + Guest Speaker

Set up a viable freelance editing practice in Australia, from your ABN and WorkCover to defining services, pricing your rates and managing projects with confidence.

  • Setting up a freelance business in Australia
  • Defining your editorial services
  • Pricing your rates
  • Building an online presence
  • Freelance project management

Assignment #4: Publishing Strategy and Editorial Service Proposal 
Develop a publishing strategy with a cover brief, cover copy, audience positioning and publicity recommendations, plus a freelance proposal with scope, timeline and rates.

 
 
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15
MON (22/3), 7:30 PM AEDT 
Maintaining Relationships and Building Your Portfolio

Strengthen working relationships with authors, designers and marketing teams, and present your editorial experience through a credible, market-ready portfolio.

  • Networking across publishing teams
  • Client etiquette and cultural awareness
  • Building a professional portfolio
  • International book fairs
  • Career pathways in book editing
 
 
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16
WED (24/3), 7:30 PM AEDT 
The Editor of Today: Industry Trends, AI and the Future of Publishing

Adapt your editorial practice to shifting reader behaviour, BookTok and AI-assisted workflows, and learn how working editors keep their market knowledge current.

  • Reader and publishing trends
  • BookTok and discoverability
  • Metadata and online sales
  • AI-assisted editorial workflows
  • AI copyright and ethics
  • Professional development resources
 
 
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What our students say

Student Bradley D Ramacher
Bradley D Ramacher
Founder, Narrative North and Sibra House "Definitely do it if you want to step into an editing role with a publishing house"
Kathryn Harris
Freelance Developmental Editor "Great overview of the role of an editor in trad pub"
Adele Shepherd
"The course is really informative and packs so much in a short period, really worth what you pay"
Maegan Merlino
University Student "Would recommend as it is useful for gaining practical experience or knowledge into what pursuing editing and publishing as a career would look like, learning from someone who actually had experience in the field. "
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